The Book(s) Of Doug
The paintings featured in the book(s) of Doug are documented individually, each with its own story, context, and supporting material including video where available.
Doug Kemp Fine Art
Doug Kemp trained at Walthamstow College of Art and graduated from the Royal Academy of Arts in the 1960s.
He went on to hold a Fellowship at Gloucester College of Art and spent over two decades as a senior lecturer at Loughborough College of Art and Design.
His work pulls from personal experience, American culture — especially Chicago — comic books, film noir, gangster films of the 1930s and 40s, and a long thread of art history running back over 2,000 years.
Six decades as an artist with nearing 500 pieces of artwork by Doug Kemp from this page you can find Doug's work by decade, format and art collections.
Why we are creating real-world NFTs - By creating an NFT for each painting, the ownership and authenticity of the painting can be easily verified and tracked.
A striking red-haired woman in a red suit stands apart from the action, framed within her own panel and set against a reflective silver-grey background. She watches the stockinged legs of what appears to be a murder victim, while two detectives examine the chaotic scene nearby. Venetian-blind imagery, flashes of red and layered panels combine to evoke the tension and stylised drama of mid-20th century pulp detective fiction.
Pop Artist Doug Kemp has recently updated his photography for some of his catalogued artwork. Photo gallery #2, features acrylic paintings on paper. In comparison to our old photos, this updated photography showcases the vibrant colours and intricate details of Doug Kemp's work
Photo gallery #3, features acrylic paintings on paper. In comparison to our old photos, this updated photography showcases the vibrant colours and intricate details of Doug Kemp's pop art.
Doug Kemp Fine Art
Doug Kemp trained at Walthamstow College of Art
and graduated from the Royal Academy of Arts
in the 1960s.
He went on to hold a Fellowship at Gloucester College of Art and spent over two decades as a senior lecturer at Loughborough College of Art and Design.
His work pulls from personal experience, American culture — especially Chicago — comic books, film noir, gangster films of the 1930s and 40s, and a long thread of art history running back over 2,000 years.
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