The paintings featured in the book(s) of Doug are documented individually, each with its own story, context, and supporting material including video where available.
Doug Kemp Fine Art

Doug Kemp trained at Walthamstow College of Art and graduated from the Royal Academy of Arts in the 1960s.
He went on to hold a Fellowship at Gloucester College of Art and spent over two decades as a senior lecturer at Loughborough College of Art and Design.
His work pulls from personal experience, American culture — especially Chicago — comic books, film noir, gangster films of the 1930s and 40s, and a long thread of art history running back over 2,000 years.
In the 10th edition of the Artist Photo Gallery, viewers can explore the works of Doug Kemp, a pop post-modernist artist, through his acrylic paintings on canvas. The updated photography highlights the sizes of the canvases and the vivid colours used in the period Pop art style of Doug Kemp's work.
Weekend Getaway v.1 captures a chaotic moment of motion as a gunman twists mid-leap while a blonde accomplice is swept into the action beside him. Their bodies lock into a circular composition, their parallel gun arms reinforcing the tension.
Bold check patterns, geometric shadows and a starburst muzzle flash transform the gunfight into a stylised design of motion and danger.
Introducing the new Pop Art Doug logo. Designed by Luke Kemp, this retro-inspired logo marks Doug Kemp’s artistic journey and the launch of our Amazon merchant store.
As a new or seasoned art collector, you want to know that your art purchase is special and is of value beyond the intrinsic beauty that drew you to buy the work. Limited edition prints are a great choice, and here’s why:
Doug Kemp’s Madam Medusa linocut print, created in 1996, has been selected for Patty Carroll’s new book Domestic Demise & Debacle. This latest Anonymous Women collection explores domestic chaos with a surreal twist.
Doug Kemp Fine Art

Doug Kemp trained at Walthamstow College of Art
and graduated from the Royal Academy of Arts
in the 1960s.
He went on to hold a Fellowship at Gloucester College of Art and spent over two decades as a senior lecturer at Loughborough College of Art and Design.
His work pulls from personal experience, American culture — especially Chicago — comic books, film noir, gangster films of the 1930s and 40s, and a long thread of art history running back over 2,000 years.
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