The paintings featured in the book(s) of Doug are documented individually, each with its own story, context, and supporting material including video where available.
Doug Kemp Fine Art

Doug Kemp trained at Walthamstow College of Art and graduated from the Royal Academy of Arts in the 1960s.
He went on to hold a Fellowship at Gloucester College of Art and spent over two decades as a senior lecturer at Loughborough College of Art and Design.
His work pulls from personal experience, American culture — especially Chicago — comic books, film noir, gangster films of the 1930s and 40s, and a long thread of art history running back over 2,000 years.
Stone Bride centres on a lifelike sculpture of a woman carved in cold blue-green stone, poised between human presence and immovable object. As a man passes by seemingly unaware, the scene suggests emotional distance and quiet resignation.
The vivid yellow backdrop heightens the contrast, reinforcing the sense of warmth surrounding a relationship that has become frozen.
Choose your edition of Love Gone Wrong, a Doug Kemp colouring book filled with dramatic pop art, tangled relationships and bold images to bring to life.
Born in 1939, Doug-Kemp is the same age as Superman, and has grown up alongside the evolution of comic book art, which has become a medium as inspirational and impactful as classical art and other art forms.
Photo gallery #4, 2022 photographs of artists and acrylic paintings on paper. This updated photography showcases the vibrant colours and intricate details of Doug Kemp's pop art.
Doug Kemp’s artwork has been featured by magazines, blogs, galleries, and arts organisations. This page highlights friends and platforms that have profiled, exhibited, or supported his Pop Art over the years.
Doug Kemp Fine Art

Doug Kemp trained at Walthamstow College of Art
and graduated from the Royal Academy of Arts
in the 1960s.
He went on to hold a Fellowship at Gloucester College of Art and spent over two decades as a senior lecturer at Loughborough College of Art and Design.
His work pulls from personal experience, American culture — especially Chicago — comic books, film noir, gangster films of the 1930s and 40s, and a long thread of art history running back over 2,000 years.
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