Again, there is a mirror symmetry of the female character(s), in this case apparently dressed in typical 1960s fashion and probably dancing rather than fleeing out of frame.

The Monuments is a collection of three paintings.  Each of the three artworks can be viewed as a piece in its own right yet they form a triptych.

The term triptych describes a three-panel artwork that is traditionally used in painting & sculpture.

Each one of the three Monuments paintings have abundant Art Deco elements and the three pieces each have distinct individual characteristics that determine their order in this vertical series.

*Artist Doug Kemp with True Love Painting

There is also a repeat of the Art Deco elements but the main feature is a circular device with a coloured surround reminiscent of a fairground attraction decor with light bulbs or even a Jukebox.

The image of the central male character, who appears to be entering through a door, might be interpreted as merely contained within the circle as a device for the overall image but an edge rim to the circle and the surrounding coloured decor, possibly with stylised light bulbs, might suggest that it could be a view through a window or port at the fairground.

The formal dress of the male does not lend to the idea that he is actually ready to party.

A prompted morph between the monuments’ paintings